![]() If you’re using a flashback, employ the same rules we mentioned for prologues: It’ll make your story more difficult to follow. #2 – Make sure the flashback is relevant and necessaryĭon’t hop around in your timeline for no reason. On the flip side of that, negating the transitions is a great way to intentionally make your audience uncomfortable or confused. Clear edges of the flashback gives your reader the stability they need to follow along. Transitioning back out of it can be as simple as someone in the present-time saying, “Hello?” You need something to jog the character back into the present. This provides a logical bridge from the main storyline to the flashback. A great way to do transition is with a trigger, like a character hears a word, sees a flash of something familiar, smells, tastes, feels something that reminds them of the time they’re flashing back to. Just like a regular scene, write transitions to help it flow as a cohesive piece. You don’t want a flashback out of nothing. Smoothly transition into and out of your flashback. Save your flashbacks for a point in the story when your readers should be invested enough to time travel. ![]() Are they invested enough in the story to hop back in time with you? If your flashback is longer than a page or two, it may turn readers off if they haven’t grown attached enough to your characters and your story to care about extra information, like a flashback. If you throw in a long flashback too early in the story, you run the risk of your reader not being interested. Here are five tips to help you write flashbacks. So what’s the best way to write a flashback? When do you use them, when do you not use them, and how do you use them well? Let’s look at ways to use flashbacks effectively. They’re either too frequent, overdone, too long, irrelevant, or awkwardly shoved into a scene they have no business interrupting. I see a lot of inexperienced writers mess them up big time. Most prologues are flashbacks.įlashbacks can be tricky little guys to nail, especially in written works. Interesting arrangements: If you've ever walked into a garden where bright orange poppies dance beside several bushes of white roses, then you'll know the gardener created a deliberate patch of juxtaposition.Flashbacks are simply flashes back to an earlier event in a story’s narrative.This will create a nice juxtaposition between dark and light. When he goes home to edit the photo, he might deepen the hues of the dark clouds and brighten the rays of sun peeping through those clouds. Changing the mood: A photographer may take a black and white photo of the sunrise on a cloudy morning.The two dogs might be best friends, but they'll be in total juxtaposition to one another in terms of size. Picture a large German Shepherd walking down the street alongside a tiny Teacup Poodle. All shapes and sizes: Sometimes people adopt dogs of very different breeds.Beside them might be a couple sitting across from one another, with sour looks on their faces and cell phones in hand. Happily or unhappily married: Have you ever gone out to eat and noticed different couples at their tables? Perhaps one couple is sitting side by side in a booth, talking quietly and closely.The two stand in total contrast to one another. But, not too far away, there are graffiti-ridden buildings. ![]() Old with the new: If you've ever visited Rome, you might have noticed that the ancient Colosseum still stands tall and proud.It happens when two or more people, things, or situations are placed side by side in a comparison that emphasizes style, irony, humor or sadness.
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